One Typeface, Six Rebrands: Inside a Foundry's Busiest Year

How a single custom sans became the quiet backbone of half the rebrands you saw this year, without a single client realizing they were sharing a typeface.

By Tomas Adeyemi

The words Hanken Grotesk set in a large black typeface on cream

Half the rebrands you saw this year were set in the same custom sans, and none of the clients knew about the others.

The system has to survive people who do not care about it. That is the actual test, and it happens in procurement, in email signatures and on signage nobody briefed.

Tomas Adeyemi, who identified the family across six identities, has been close to it from the start.

What changed

The foundry licenses the family exclusively, per sector. Six clients, six sectors, one drawing.

The timeline tells its own story: eighteen months from first conversation to the point anyone outside the room saw anything, and then six weeks in which everything visible was decided.

Whether that holds as the sectors blur is a question the foundry is already fielding.

Exclusivity by sector is the only honest way to sell the same letters twice.

the foundry's director

How it works

The only visible differences are the alternates each client chose, and in two cases a redrawn ampersand.

The system survives or fails on its worst application, not its best, and nobody presents that slide.

Reaction has split along predictable lines. The people who have to maintain it have the sharpest questions, and the fairest ones.

There is no shortage of people willing to call it inevitable in hindsight. Nobody involved describes it that way.

What happens next

The family is not available outside those agreements, and will not be until 2028.

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